Thursday, March 23, 2017

Mellowness and Flight


Ever wake up at dawn to the sound of a bird chirping outside your window?  This morning was one of those times for me.  My eyes opened slowly, naturally and I heard a bird chirping.  I thought about what a nice moment that was.  And for some reason, my next thought was a line I had heard somewhere before.  The line was “ever heard Bird flap his wings?”  That line echoed in my head, and then I thought:  Okay.  Where have I heard it before?  Where?  Then I remembered.  That was a line—actually two lines—from a poem about saxophone player Charlie Parker, who was also called Bird by his legions of fans. 

I knew I had a copy of the poem somewhere; because I’d used it with several other poems in Conversations about Jazz Poetry, a public event I conducted a few years ago.   Remembering where I’d filed those poems, I decided that a poem whose lines had echoed in my head after I awoke to the sound of a bird chirping outside my window, deserved to be pulled out of file and reread.  My intent was to pull it out after I poured my usual morning cup of coffee.
With my cup of coffee in one hand, I located my hardcopy jazz poetry file with the other hand and pulled out the poem, which turned out to be “Mellowness & Flight,” by George Barlow.  And the lines that had haunted me in a good way at dawn turned out to be:

Ever heard Bird                                                                                                                                      flap his wings
Those two lines begin and end the 19-line poem.  The poem compares Charlie Parker to:

a bright blackbird                                                                                                                             slicing blue sky 

There’s no punctuation in “Mellowness & Flight.”  A few well known standard songs in Charlie Parker’s discography are mentioned as examples of the musician’s mellowness.  The bird-in-flight metaphor is used to describe Parker, and it asks us readers/ listeners if we’ve ever felt like we were flying with him. 
***
Drinking my morning cup of coffee and rereading “Mellowness & Flight” have put me in a mellow mood.  And thoughts the poem have inspired in me have gotten my day off to a flying start.

Monday, March 20, 2017

Two Singers from Women's History Inform a Fictional Character



This morning, as I was musing over the fact that March is Women's History Month,  some of my favorite singers came to mind.  Among them were Ella Fitzgerald and Sarah Vaughan, whose vocal styles and careers informed the central  character in my novel The Jazz Flower. 
The Jazz Flower is about Rosa Johnson Stills, whose life and jazz singing career evolve in DC, New York City, and Paris, France, from the 1930s to early 1950s (the swing and bebop eras of jazz music).  Rosa  pushes on with her career in spite of family, personal, and professional obstacles.   The book is available at Amazon.com, Barnes and Noble.com, and other favorite online bookseller sites.

Thursday, March 16, 2017

Celebrating Sarah Vaughan

   



The legendary Sarah Vaughan, whose birthday is March 27th, has probably performed and recorded about every favorite pop and jazz standard music lovers can think of, including "Fly Me to the Moon," "Satin Doll," "In a Mellow Tone," "Sophisticated Lady," "Misty," and others.  Jazz fans have always celebrated Sarah Vaughan's amazing vocal range and her sultry, velvety, sassy style. 

This month, legions of jazz devotees have included Sarah Vaughan in their Women's History Month celebrations.  Let's enjoy her singing in the video above. 

Christmas Music and Vee W. Garcia's Fiction

This time of year people listen to Christmas songs by pop, R&B, jazz, blues, country, and classical artists.  Some folks enjoy car...